{"id":6422,"date":"2013-02-15T05:15:26","date_gmt":"2013-02-15T13:15:26","guid":{"rendered":"http:\/\/www.yellowgreenred.com\/?p=6422"},"modified":"2013-02-15T05:15:26","modified_gmt":"2013-02-15T13:15:26","slug":"spacin","status":"publish","type":"post","link":"https:\/\/www.yellowgreenred.com\/?p=6422","title":{"rendered":"Spacin&#8217;"},"content":{"rendered":"<p>Normally when a great band goes from sometimes-active to mostly-inactive<br \/>\nstatus, it&#8217;s a cause for great sadness. Not so with the case of Birds Of<br \/>\nMaya, though &#8211; guitarist Mike Polizze&#8217;s Purling Hiss is God&#8217;s gift to melodic<br \/>\nrock, and bassist Jason Killinger&#8217;s Spacin&#8217; is the weed God smoked while<br \/>\nwrapping it. After some sporadic live shows, <i>Deep Thuds<\/i> made the<br \/>\nsweltering summer of 2012 tolerable, grooving with the spirit of the simplest<br \/>\nVelvet Underground and Hot Tuna licks, and resulting in an unpretentious,<br \/>\ncaptivating rock record suitable for noon or midnight. Killinger&#8217;s frontwards<br \/>\nball-cap merely hints at the comfortable, casual vibe that Spacin&#8217; exudes,<br \/>\nwith just enough kraut-rock dalliances and artsy flourishes to keep the record<br \/>\nnerds at half-smirk while the local townies dance. Killinger doesn&#8217;t do<br \/>\ninterviews, but I got him to speak about Spacin&#8217; anyway! I sure am slick.<\/p>\n<p><b>How long has Spacin&#8217; existed? I feel like I&#8217;ve seen the name around for a<br \/>\nfew years, and the occasional show, but I think it was pretty different<br \/>\nfrom <i>Deep Thuds<\/i>&#8230;<\/b><br \/>\nI&#8217;ve made late-night songs and recordings in my basement for many years. In<br \/>\nDecember of 2010 I recorded a couple of songs that sounded good together and<br \/>\ncalled it Spacin&#8217;. I convinced Ben Leaphart and Mike Polizze (the other two-<br \/>\nthirds of Birds of Maya) to play some really strange live stuff for a show and<br \/>\nthat was the first time it became a band. Some of that stuff made its way onto<br \/>\n<i>Deep Thuds<\/i> in sections. Most of the album and live shows are comprised of myself<br \/>\nattempting to play guitar and sing, Paul Sukeena playing all of the good lead<br \/>\nguitar playing, Sean Hamilton on bass, and Eva Killinger on drums. We&#8217;ve<br \/>\nalso been a ten-piece band for a couple of shows. Spacin&#8217; is all of this. <\/p>\n<p><b>So basically as long as it&#8217;s you on guitar and vocals, it&#8217;s Spacin&#8217;? Do you play<br \/>\nthe same songs no matter if you&#8217;re a three-piece or a ten-piece, or does the<br \/>\nlineup dictate what you&#8217;ll play?<\/b><br \/>\nIt&#8217;s almost always the four-piece band, we just sometimes do it other ways or<br \/>\nare open to doing it in other ways. Sometimes it&#8217;s the same songs, sometimes<br \/>\nit&#8217;s much different versions of already recorded songs. We played at the<br \/>\nInstitute of Contemporary Art here in Philadelphia last fall as a ten-piece<br \/>\nband, half of which was percussion. We wrote a weird afrobeat-sounding song<br \/>\nthat we were going to play for twenty minutes, but when all was said and done,<br \/>\nthe song went for nearly an hour. None of us realized it was happening. <\/p>\n<p><b>Was it weird playing in an art museum? Do you think Spacin&#8217; exists in that sort<br \/>\nof avant-garde music continuum, or are you more of just a band geared for<br \/>\nbackyard barbeques?<\/b><br \/>\nThe only art world we&#8217;re ever really involved in isn&#8217;t far removed from the<br \/>\nbackyard barbeques, so we&#8217;re into both. We don&#8217;t take ourselves too seriously. <\/p>\n<p><b>So did the Rolling Stones really get in touch about your album cover? Were you<br \/>\npsyched that they somehow noticed, or was it more of a pain?<\/b><br \/>\nThey contacted Richie Records. When Richie told me, I was indignant at the<br \/>\nidea that I couldn&#8217;t paint a mouth and tongue on our album cover if I wanted<br \/>\nto. I casually attempted to convince all of my friends that this was the result<br \/>\nof our grotesque economic machine that pressures people to syphon words, images<br \/>\nand ideas away from us and convert them into their own personal profit,<br \/>\nindefinitely. To which they all seemed to respond &#8220;Yeah, but you painted the<br \/>\nRolling Stones logo.&#8221; Ha ha. So I changed it. <\/p>\n<p><b>I know you are a graphic designer by trade&#8230; are there any other iconic rock<br \/>\nlogos you are a big fan of? If copyright laws didn&#8217;t exist, what logo would you<br \/>\nappropriate next?<\/b><br \/>\nWhen I was a skater kid in central Pennsylvania I used to draw punk logos<br \/>\non my closet door in colored chalk for some reason. I would try to copy the<br \/>\nlogos and typefaces of bands from advertisements in either <i>Thrasher<\/i> or<br \/>\n<i>Sessions<\/i>. I definitely got good at drawing the DRI guy, Dead Kennedys<br \/>\nlogo, Misfits skull and all that. That was the first time I ever really paid<br \/>\nattention to graphic design. I don&#8217;t think I&#8217;d ever incorporate another bands<br \/>\nlogo into our own artwork again though. I do have a pin on my backpack that is<br \/>\nthe universal &#8220;No Bullshit&#8221; sign. I might use that.  <\/p>\n<p><img decoding=\"async\" src=\"\/images\/spacinlive.jpg\"><\/p>\n<p><b>If guitars never existed, what kinda music do you think you&#8217;d be listening to?<\/b><br \/>\nI suppose jazz could&#8217;ve happened without guitar. I don&#8217;t listen to much jazz<br \/>\n(yet) besides Pharoah Sanders or Alice Coltrane or stuff that everyone knows.<br \/>\nAlso, a lot of Brian Eno stuff doesn&#8217;t have guitar, I love Brian Eno, but I<br \/>\ndon&#8217;t think that&#8217;s what you are asking. This is the most difficult question<br \/>\nI&#8217;ve ever been asked. <\/p>\n<p><b>When did you first start playing guitar? I know you came up as a bassist&#8230;<\/b><br \/>\nI taught myself how to play guitar in the late &#8217;90s when I graduated high school,<br \/>\nbut I&#8217;ve still never actually learned how to play chords correctly. I think I<br \/>\nonly ever play two strings at a time. Fortunately Paul is a much better guitar<br \/>\nplayer than I am, so it makes a cool balance. Bass comes much easier to me, so<br \/>\ndo drums. <\/p>\n<p><b>Simplicity seems to be a key component of the Spacin&#8217; sound. Is that something<br \/>\nyou purposely try to reign in, or is this just as complex as you can write?<br \/>\nThere will never be a Spacin&#8217; prog-rock opus, right?<\/b><br \/>\n I like a lot of music that I know we can&#8217;t pull off in good taste, but I<br \/>\ndon&#8217;t want Spacin&#8217; to be any one thing. I would rather it be without genre<br \/>\nand hard to define. I&#8217;m not saying that&#8217;s what it is, but that&#8217;s what I would<br \/>\nlike it to be. Loose in every way.<\/p>\n<p><b>Are you working on new Spacin&#8217; material? Any plans for another record?<\/b><br \/>\nI have tons of songs that are waiting for us to learn them as a band. We have<br \/>\na lot of stuff we&#8217;ve done since <i>Deep Thuds<\/i> and I&#8217;m constantly recording<br \/>\neverything. Sean was leaving my house one day and says &#8220;We should totally<br \/>\nstart recording for the next album&#8221; and I say &#8220;We have been&#8221;. Ha ha. The next<br \/>\nrecord will happen sometime this year. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>Normally when a great band goes from sometimes-active to mostly-inactive status, it&#8217;s a cause for great sadness. Not so with the case of Birds Of Maya, though &#8211; guitarist Mike Polizze&#8217;s Purling Hiss is God&#8217;s gift to melodic rock, and bassist Jason Killinger&#8217;s Spacin&#8217; is the weed God smoked while wrapping it. After some sporadic [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_monsterinsights_skip_tracking":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":""},"categories":[4],"tags":[],"class_list":["post-6422","post","type-post","status-publish","format-standard","hentry","category-interviews"],"_links":{"self":[{"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=\/wp\/v2\/posts\/6422","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=6422"}],"version-history":[{"count":14,"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=\/wp\/v2\/posts\/6422\/revisions"}],"predecessor-version":[{"id":6437,"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=\/wp\/v2\/posts\/6422\/revisions\/6437"}],"wp:attachment":[{"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=6422"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=6422"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.yellowgreenred.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=6422"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}